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In 1994 a study was conducted by psychologist Fran Rauscher and physicist Gordon Shaw at the University of California to test the connection between music and math and science skills. The three test groups were comprised of three year olds. The first group participated in adult-led singing time, the second group, in weekly keyboard lessons, and the third (control group) was not exposed to any type of musical activity. The results were astounding! After eight months, “every child who participated in a music-training program increased his or her spatial intelligence by an average of 46 percent over the control group’s 6 percent increase.” (Baney, Cynthia. Wired for Sound: The Essential Connection Between Music and Development.)
Music education should be an essential part of a child’s growth and development. Numerous studies have repeatedly demonstrated how music education will lead to a higher aptitude in math, science, reading, athletics, creativity and problem solving. But the simple fact is that making music brings children joy, and when you as a parent get involved with your child’s musical pursuits, whether it be through direct interaction in a musical playgroup, or by encouraging your child to learn an instrument, you can share in that joy together.
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The Benefit Of Music Education In A Child’S Development
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Managing or supervising your private music studio can really be a great challenge as it requires enough knowledge, skill and experience to work just the way you desire and expect. It also needs a dose of patience, discipline, determination and urge to meet educational goals and objectives towards academic excellence. Thus, it has to be both the profession and passion not just of the music studio administrators but also of the music educators themselves. Remember that there is no better way to effective private music studio management than putting one’s heart into it.
Private music studio management skills include such creative and innovative techniques on how to practically start it out as a business, to find and equip your music studio, to do effective marketing, to manage billing and scheduling, and to implement and evaluate students, conferences and recitals. The following points intend to address a wide array of private music studio management tips.
As music studio administrators or educators, you need to reach out to and invest in some creative and innovative music teacher software that you can find online. All you’ve got to do is to search for the most reliable website to give you the kind of service you truly deserve. You may join some related forums and discussions from the first-hand sources to give you some recommendations and suggestions. Reading their feedback and testimonials may also be useful on your end.
Great music teacher software, your music studio manager and partner, can actually assist you with many things. It has features that do all the things that a secretary, a receptionist or an office manager obliges to do. On the other hand, you as the music studio owner and educator do not have to worry about these things: you just have to look into it once in a while and of course, teach music at your best.
More so, your skills and knowledge on private music studio management would have taken more effect if you would try to develop a good music environment and camaraderie within your community. This strategy aims to draw more attention among the people living around your music studio – realizing how important it is to enroll in your studio or venture into such while they are learning and loving music.
Some extension services may be helpful on this technique. You may organize an event when your students can perform or do some recitals, musical plays and mini-concerts in front of certain audiences from the community itself. Through this way, you actually hit many relevant things at the same time: you expose your students through this unique and innovative way of teaching method, you promote the kind of teaching and learning experience one may have while he is in your music studio, and most of all, you develop a relationship that can benefit all.
So, establish good rapport among your music teachers, your students and their parents, as well as with the people in your community. With all these, I am sure that your private music studio will be a sure-hit and indeed a success. See you on the links!
Read these reliable private music studio management tips and learn more about this very helpful music teacher software. – Earl Marsden
Music Education Articles

These days, there is a great amount of good music being created and made available to the public. The internet has certainly been a great tool to that end. With all this music out there, today’s artists, songwriters and composers may feel that they are but tiny fish in a huge ocean. But there is a whole industry that exists that many people aren’t even aware of that makes this ocean a whole lot smaller.
Have you ever watched a TV show, commercial or a movie, or heard a radio commercial and wondered where the background music came from? Certainly there are scores of composers for hire who custom compose music on a per project basis. However, this can at times be too expensive for the project’s budget. As a result, there are two similar yet separate industries that exist to fill the need for pre-cleared hassle-free and inexpensive music, and each specializes in their own field.
1) Songs for Film & TV. The Pre-cleared Song industry will represent independent songs on behalf of the artist and pitch their material where appropriate. Uses include, films, TV shows and radio / television commercials. One of the places to promote your music for these uses is “museeks.com”. Not only do they offer you your own free ‘artist’ page, but they also give you the opportunity to have your songs considered for use in the film and TV industries. You can find out more information by visiting www.museeks.com and look for ‘Artist Signup’. Another great site to check to promote your songs for these uses is ‘Taxi’ at www.taxi.com
2) Instrumental “Production Music”. The Production Music industry puts together collections of instrumental music and makes it available to the film, TV, and media industry for easy, hassle free use. Uses include films, TV shows and commercials, radio spots, documentaries hollister , corporate videos, multi-media presentations, and many others.
Songs for film, TV and commercials is a narrow niche that is extremely complicated in terms of negotiating a fee structure. Some of the considerations are as follows: Will the movie containing the song be a limited release film or will it be a general release across North America or the world? Will the video be released for sale or rent 6 months after the theater release? How many copies will be made, and in what territories will they be available? Will the film be translated into a foreign language in the future? Will it be shown as a re-run 5, 10 15 or 20 years from now on late night TV? Will it be shown on airlines as entertainment? Will the song be included on a “soundtrack CD” and sold in stores? Each of these uses has its own fee and must be itemized in the Contract, so it is best left up to people who specialize in this field to do the negotiating.
Basically, producers look for songs that are in sync with the same message that their production is trying to convey. For example, a song for a car commercial will have to project the image of freedom and independence, attitude, affluence or whatever other feelings they want you to imagine by owning that car. Similarly, songs for films or TV shows have to fit the scene where they will be used. I recently had a producer contact me who was looking for a sexy jazz vocal piece for a scene in a film where the lead actors were walking through a smoky bar. The music has to create the mood of the scene in the mind of the viewer. I have also had many requests for songs that were “positive and uplifting” without being religious. “America The Beautiful” is a prime example of this type of song.
Many people ask, “why don’t producers simply use popular songs from CD’s available in stores”? They can, but it will cost them a lot of time in securing permission as well as a considerable amount of money, because somebody owns the rights to that music. (Microsoft reportedly paid The Rolling Stones seven figures to use a small snippet of their song “Start Me Up” in a TV commercial). They could even be refused permission regardless of cost. Permission would have to be sought from two different parties; the publisher (owner of the copyright in the actual music) and from the record company (owner of the copyright in the recording).
Instrumental production music is similar to the song industry except that it is easier to get music placed as there are many more opportunities available. Production music companies press CDs of instrumental music (all styles) and offer it to producers in 3 different ways:
1) Blanket License – For an annual fee, the producer has the unlimited right to use the music on a lease basis for a specified term.
2) Laserdrop License – Music is made available to the producer on a “pay-per-use” basis, and he must pay a set fee each time he uses music provided by the company.
3) Buy-Out License – The producer purchases the CD’s of production music outright, and the purchase price includes the right to unlimited use of the music forever. In each of the above cases, the producer is still required to submit cue sheets and report usage to the appropriate performance rights society for all public performance of any production containing the music. This allows both the composer and the publisher to collect performance royalties. This reporting does not involve an additional fee to the producer.
What is “Copyright”? It is the protection given by the state (governing body of each country) to those who create intellectual property such as literary works, plays, musical compositions, etc. “Copyright” itself includes three separate and distinct rights:
1) Mechanical Rights – The right to make copies (tapes, CD’s, videos, etc) of copyrighted works. No person can make a mechanical reproduction of a copyrighted musical work without the permission of the copyright owner.
2) Synchronization Rights – The right to synchronize, re-record or utilize a musical recording in timed relation with a visual image or another sound or voice. This would include all forms of radio or TV commercials, shows, motion pictures, videos, etc.
3) Performance Rights – The right to perform musical works in public through radio, television, concert halls, restaurants and bars, background music systems (banks, grocery stores, elevators), and so on. Radio and TV stations pay an annual fee to the performance rights societies (such as BMI, ASCAP, SOCAN, PRS etc) for the right to perform music over the air. From the data that these societies receive from stations (i.e. cue sheets), the relevant composers and publishers get their appropriate shares of performing fees (residuals) which is paid out from the pool of funds collected. The performing rights societies are part of an international network of affiliates which exchange cue sheets and program information and collect and distribute performing fees to composers and publishers around the world.
What does it take to have your music considered? Here’s the Criteria:
* Your songs or instrumental music must be professionally recorded and mastered, and be of top quality.
* You must own your own Publishing, Copyright and Master Recording. In other words, you have not assigned these rights to any other person or company.
* You must have agreements/release forms with the producer, performers, studio etc that you control all rights and that they have no claim to any income that may be generated as a result of the performance or use of your song or instrumental music.
* You must acknowledge that your song or composition is completely original, and that you did not copy any part from any other source. All samples (if used in your music) must be pre-cleared and royalty-free.
I hope that this article has been beneficial in helping you to understand this segment of the music industry. If you have instrumental music that you would like to be considered for inclusion in a production music library, simply do a web search for “production music” and read each site for their submission policies. In future articles, I will cover issues related to public domain and copyright protection.
Good Luck to all of you, and always keep faith in yourself and trust that the Universe will guide you in the right direction!
——– Rick Ivanoff is the owner of Dog Star Music Publishing. Since 1976 he has been involved in the music industry as a songwriter, performer, producer, jingle writer, studio musician, publisher, promoter and licensing agent as well as dealing with the issues of Copyright Law. Visit his web sites:
www.rickivanoff.com www.dogstarmusic.com www.trytheseoffers.com

Comcast Cable HD TV Digital Services for interested consumers. She finds The Best Comcast Cable TV Deals Available Online; so make sure to check her reviews about Digital Comcast Cable TV, Comcast Phone and Comcast High Speed Internet Service.”>Whatever this season is, I was tired of the dancing, judges, and contestants. I just couldn’t stand to watch Chloris Leachman. But then along came Gilles Marini, Lil Kim, Ty Murray, Melissa Rycroft, The Woz, Julianne’s boyfriend, Chuck Wicks, Denise Richards, Shawn Johnson, and a few others that really didn’t interest me.
Despite that dreadful lineup, there was an individual that did make it all worthwhile. It was french actor Gilles Marini who pulled it all together for the eighth season of Dancing with the Stars I discovered Gilles when I saw Sex and the City where he stood out among a cast of talented actors and actresses. Just like in Sex and the City, he proved to be the best entertainment on Dancing with the Stars. Gilles raises the temperature on the dance floor. One of Dancing’s judges, Carrie Ann Inaba, let slip what a lot of us were thinking – Carole, Gilles Marini’s wife, one was lucky lady.
Denise Richards was a big disappointment, lacking talent as well as personality. The Woz may be a computer genius and he definitely seemed like a great guy, but he just didn’t have the moves on the dance floor. Chuck Wicks wins an A for effort with he tremendous work he put into his dancing which kept him around until near the end. I have to admit I never would have dreamed Lil’ Kim, who I knew very little about before the show, would turn out to be an incredible dancer and one of my favorite celebs. Derek Huff showed what expert choreography and showmanship can bring to the dance floor with his amazing routines. They were a team that showed talent as well as chemistry. How stunning was it then that Lil’ Kim was voted off ahead of several less talented dance partners.
So who did make it to the last couple of shows? It looks like it’s going to be Ty and Chelsie, Gilles and Cheryl, Melissa and Tony, and Shawn and Mark. With nearly no preparation Melissa replaced an injured Jewel just before shooting began this season. She showed immediately that she had ballet training. Her performances have been close to perfection, earning her perfect scores in the last show. Even if you get a perfect score from the judges, you still risk being voted off the show. (Just ask Sabrina Bryan, who was eliminated early in another season after receiving a perfect score.) Rodeo champion Ty Murry has worked on his dancing the most and it shows. He happens to be very adorable too. Ty’s experience riding bulls and guiding horses doesn’t translate directly to the dance floor and provided a big cache of voting fans who normally wouldn’t watch Dancing with the Stars. Shawn Johnson’s Olympic performance was so endearing, and her dancing is the same. And rounding this amazing cast of celebrities is Gilles Marini who didn’t make a move I didn’t absolutely love.
Who will bring home the trophy? Another couple goes home this week. After that the three last dance teams have a final dance-off. I can’t wait until the final show airs! Luckily I have a DVR for a backup just in case something comes up.
Getting your Dancing with the Stars fix in high definition is the greatest way to do it I’ve found. Recently my son convinced me to ditch my regular TV and make the jump to an HDTV. I didn’t know what I was missing! You may be thinking what I used to think – how can it make that much of a difference in picture and sound quality? Well, I’m here to tell you it really does. If you get an HD high definition TV you’ll need to contact your local cable provider to get the most out of it. I called Comcast Cable, my cable service supplier, and add HD channels to my already great channel lineup. And the HDTV picture form Comcast is amazing. By taking advantage of a bundle special for my area I was able to add Comcast High Speed Internet and Comcast Digital Voice. My download speeds and television picture are by far the fastest and clearest I have ever experienced with my new broadband service and HD Comcast Cable. Plus, the clear digital phone service sounds amazing and flat-rate pricing means I can call all my friends and family nationwide without paying long distance charges. If Comcast is your local cable provider or you’re planning on moving to an area covered by Comcast, I definitely recommend calling them up and ordering their great services. For additional savings, Search the web, and you will find plenty of Comcast Cable’s latest promotions. Make sure you take a look at their Triple Play bundle that lets you get all three services for one incredibly low price.
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Some say U2 is the best band of all time. Often it is Bono that is saying that, but nonetheless, he has a point, check out this list of the best U2 albums:
“Unforgettable Fire” The album that turned U2 into a band to be reckoned with, the band intentionally set out to try new things so that they wouldn’t turn into another boring arena rock band when they hired Brian Eno and Daniel Lanouis to produce the record. Eno didn’t have much experience in rock record producing but agreed to do it if the band really wanted to take their sound in new directions. They did, and the result was one of the band’s best records, with Edge’s shimmering guitar chords front row center and Bono’s usual vocal theatrics and earnest lyrics beaming.
“Pop” During their Pop Art phase, U2 got a lot of flack for being overindulgent and intentionally vulgar with their over the top live shows and Bono’s multi-persona characters he would bring out during songs. There was a certain theatricality of the band during this time, with the band wearing wigs, doing funky moves, throwing a poker chip set into the audience to make a point about consumer culture… Looking back, the album “Pop” and the PopArt Tour that followed were some of the best times for the band, where they were able to step back and sort of laugh at themselves and the world, instead of always preaching and crying about the troubles of life. Sometimes you have to smile a little and remember that as horrible as life can be, as ruthless as humanity is to each other, there is some good in it, and there is something to laugh about, always.
“All That You Can’t Leave Behind” U2 returned with a vengeance with this mature and stately set of arena-rock songs that solidified them as not only one of the most important bands of the 80s and 90s, but of the 00s as well. With the huge hits of “Beautiful Day” and “Elevation” they opened themselves up to a new league of young fans who had never heard of them before, but because of this record, they went back and bought all the band’s old material (myself included.)

If you like love songs the deluge of love songs online will surely make you very happy. Online music stores are now offering millions of love songs from their databases for very affordable prices. Compared to downloading music files for free from questionable download sites, paying a couple of dollars for music files that are safe and come with the artist’s permission is better than having to deal with damaged, infected or low quality music files. However, you can also get a quality love song free download from safe sites online if you know where to look.

If you want love song free download you can head over to some sites that offer free downloads of music files. Believe it or not, legit music sites that offer free music downloads do exist. The bad news is that they may not offer most of the popular loves song out there right now. If you are looking for love songs of any kind, are open to exploring new or undiscovered artists and base your music choices on the quality of the music and not on the name of the artists behind it, then you may find looking through love song free download sites more refreshing than looking at conventional music vendors who only sell the music of mainstream artists.

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Most young musicians benefit from the aid of a quality music instructor. An experienced instructor has “been there and done that” on their particular instrument and can serve as a good road map for a student that is willing to learn from the experience of another. This is one of the most valuable benefits of a music teacher. It’s not that a student can’t learn on their own by mimicking recordings or using books, rather, utilizing a good teacher can eliminate a large portion of trial and error a student will experience on their own.
Picking the right teacher.
Finding the right music teacher can be a frustrating task for the music student. For the student that is just learning and doesn’t know what direction to go or what teacher will be a good fit for him or her, here are some tips in this area:
Get recommendations from local music students that are doing well on their instrument. Everyone knows someone who is talented on their instrument. Ask that person who they take lessons with or who they might recommend. You might even consider taking lessons with that individual you know to be a good player. Realize, however, that just because someone is a good player does not necessarily make them a good teacher. Take a couple trial lessons at first before you commit to them long term.
Check with local music schools or University music programs. These institutions are usually quite picky with their list of music teachers. In areas well known for having good music programs such as New York, Los Angeles, Utah and other places, there are several award winning music schools, programs and organizations to inquire about. Each area has its own unions and music resource organizations. The musician’s union is a good source for Music teachers in Utah. Utah Music Teachers is another source for music teachers, music schools and University music programs.
Make sure when you pick your instructor you chose a music teacher that will be a good fit for you or your student. A saxophone teacher that focuses on the classical genre would not be a good fit for a student interested in Jazz Studies. A student that has large aspirations should not be fit with a teacher that will not push them in terms of practice time and intense lessons. Similarly, a student that only has a mild interest in music and will not put in a large amount of practice time would not be happy with a teacher that has unrealistic expectations of them.
Overall, pick a teacher that you are comfortable with and that you think you will have a lot of fun with. Music should be an enjoyable hobby at any level of playing. Good luck!